Anjali Arondekar, “In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia”, Differences: A Journal of Feminist Cultural Studies, 25:3 (2015), 98-121.
Antonio Gramsci, “The Modern Prince” in Selections from the Prison Notebooks ed. and trans. by Quintin Hoare and Geoffrey Nowell Smith (New York: International Publishers 1971), 123-205.
Ben Highmore, ‘Social Aesthetics’ in John R. Hall, Laura Grindstaff and Ming-Cheng Lo, eds, Handbook of Cultural Sociology (London and New York: Routledge, 2010), 155-16.
Kim Hyun Mee, “Feminization of the 2002 World Cup and women’s fandom”, in Niranjana and Wang (eds.), Genealogies of the Asian Present: Situating Inter-Asia Cultural Studies, Delhi: Orient Blackswan (2015), 535-550.
Lisa Yoneyama, “Liberation under Siege: U.S. Military Occupation and Japanese Women's Enfranchisement”, in Niranjana and Wang (eds.), Genealogies of the Asian Present: Situating Inter-Asia Cultural Studies, Delhi: Orient Blackswan (2015), 405-435.
From Creativity and Academic Activism: Instituting Cultural Studies ed. Meaghan Morris and Mette Hjort (Duke UP and Hong Kong UP, 2012): Kuan-Hsing Chen, ‘Social Movements, Cultural Studies, and Institutions: On the Shifting Conditions of Practices’, 41-53. Wang Xiaoming, ‘Three Tough Questions of Cultural Studies: The Case of the Program in Cultural Studies at the University of Shanghai’, 89-104. Stephen Ching-kiu Chan, ‘Doing Cultural Studies: Critique, Pedagogy, and the Pragmatics of Cultural Education in Hong Kong’, 105-124.
Yan Hairong, “Spectralization of the Rural: Reinterpreting the Labour Mobility of Rural Young Women in Post-Mao China”, in Niranjana and Wang (eds.), Genealogies of the Asian Present: Situating Inter-Asia Cultural Studies, Delhi: Orient Blackswan (2015), 436-480.
Chris Berry, 'Hong Kong Watcher: Tammy Cheung and the Hong Kong Documentary', in Kam Louie et al. (ed.) Hong Kong Culture: Word and Image. Hong Kong: Hong Kong University Press, 2010, pgs 213-228
Tan Pin Pin, 'Singapore Ga Ga Tours Singapore' in Tilman Baumgartel ed. Southeast Asian Independent Cinema: Hong Kong, Hong Kong U Press, 2012, pg 131-139