Day Fourteen: 若林千代 WAKABAYASHI, Chiyo
War Memory and Resistance to Militarism: Literature, Photography, and Film in Post-Reversion Okinawa
When the Ryukyu Kingdom was dismantled and the islands were annexed to the Modern Japan State in 1879, Okinawa became one of prefectures at the state’s southern border. But, it didn’t mean that people on the islands automatically came to recognize themselves as “Japanese”. When the Battle of Okinawa ended and the American occupation started in 1945, Okinawa was separated from the Japanese administration. But, it didn’t mean that people on the islands stopped thinking themselves “Japanese”. When the administrative rights over Okinawa were returned to Japan from the United States in 1972, Okinawa became again one of the prefectures of Japan State. People called this “return (返還)”, from their historical perspectives as subjectivity, “reversion (復帰)”, but, eventually, a question was raised among people: “Where are you going, Okinawa?”
This question arises repeatedly for decades after “reversion”, being deeply related with war memory, suffering caused by U.S. military bases, and Japanese statism and militarism. In this lecture, I would like to trace how this question has been raised among people in Okinawan society from late 1960s to today, through popular culture in Okinawa, literature, music, photography, and film.
Texts to Read:
若林千代WAKABAYASHI, Chiyo
Wakabayashi’s research and teaching focus on contemporary Okinawan history, Okinawa-Japan-East Asia-US relations, twentieth-century East Asian and international History, and politics of culture. Wakabayashi received a Ph.D. from Tsuda College (International Studies). Recent works are “Re-imagining a ‘Place’ (再び、場所を想像する)” in Gendai Shiso (現代思想), December 2012, and she published Jeep and dust: political society in Okinawa under U.S. occupation in the context of East Asian Cold War, 1945–1950 (ジープと砂塵——米軍占領下沖縄の政治社会と東アジア冷戦、1945—1950), 2015. Wakabayashi is the co-editor of Keshi-Kaji (返風)”, a quarterly magazine published in Okinawa.
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