8. Femininity – Masculinity
Notions of Gender and Feminism
It is now accepted practice to make a distinction between sex and gender.
The first is a biological category, the second a social construct.
This means, in effect, that a biologically male person can be feminine
and a biologically female person can be masculine.
Masculinity and femininity then, can be described in terms of the
qualities ascribed to them. Femininity is usually equated with passive
qualities—something you can check for yourself by compiling a list of
binary qualities and analysing the traditional associations with gender.
We go back here to what we read about binaries in the module on the
nation. You will remember that binaries are hierarchical and function
on an unequal plane, so that one is considered ‘better’ than the other.
Feminist critics have pointed out that ‘feminine’ qualities are always
the weaker half of the binary.
Masculinity and femininity make up one binary—which one is
considered stronger? Keep in mind that the relations of power between
the genders are fundamentally unequal—this is what is meant by
patriarchy.
Feminism believes it is of vital importance to make a distinction
between sex and gender, because when these two categories are blurred
into each other the qualities of femininity are naturalized. This means
that it becomes possible to say women are meek, timid, gentle and
submissive with the same authority that one can say women have ovaries.
In fact, it becomes possible almost to say that women have these
qualities because they have ovaries or just like they have ovaries—to
ascribe these qualities to biology and make them seem natural and
inherent rather than constructed. If women’s ‘weakness’ or
‘inferiority’ is a biological fact, it can no longer be questioned and
the status quo can be maintained. This notion of the construction of
gender in unequal ways is at the heart of feminism.
Feminism is too large a term to cover here, because there are very
many feminisms. Indeed, it is inaccurate to think of feminism as one
unified entity—the reality is that there are different kinds of feminism
and not all of them agree on everything.
All feminisms however, are political discourses that are concerned
with gender inequalities and their consequences to women in different
spheres. Feminists over the years have analysed different issues and
brought to light the workings of patriarchy in different areas. These
analyses have included critiques of language, where they have shown how
language is inherently biased in favour of the masculine, and the
feminine is made invisible or inconsequential—think of the implications
of words like mankind and history and their usage, and the even more
damaging use of the generic pronoun ‘he’ to refer to any neutral human
activity. Other areas of critique range from literature to politics to
health
• The History of Studying Masculinity
The history in the West
Feminist critiques like the one mentioned above are both
theoretically sophisticated and politically powerful and they opened up
the space to examine the patriarchal structures that shape our lives by
foregrounding how notions of womanhood are understood.
In the 1970s, men woke up to the significance of this critique in
understanding how notions of masculinity are structured. Much before
this moment, the discipline of anthropology had ‘discovered’ men as an
object of analysis. The enterprise of anthropology, which began by
studying the ‘other’ of western cultures, did focus on men as gendering
beings, especially in their studies on rites of passage. Thus, a body
of literature that looked at notions of masculinity in non-western
cultures came out during this period.
The second important line of theorizing that foregrounded how
notions of masculinity are structured in our society came from the
emerging queer theory in the 1970s. Thus, apart from the strand that
came last—the one that emerged out of second wave feminism—the early
studies on masculinities either took marginalized male identities as
their object of analysis or came as a critique from the politics of the
marginalized.
Also, the masculinities studies that are today a strand of study in
the Western academy are more the study of and by heterosexual men trying
to make linkages with marginalized identities. The primary agenda of
this endeavour is to understand dominant ways of structuring
masculinities.
Read Mick Leach’s “The Politics of Masculinity: An overview of
contemporary theory” http://www.xyonline.net/politicsofmasculinity.shtml
• Part II- The history in India
In India, the early studies on masculinities came as part
of the historiography of colonial India. These studies were more
interested in understanding the dynamic of Indian nationalism and in
this endeavour implicitly foregrounded some of the most fascinating
aspects of the discourse of gender in India. There were also works
inspired by psychoanalytic theories that tried to understand notions of
masculinity. This set of writers brought in popular cinema and
literature as important sites for understanding dominant forms of
masculinity. It was the third stream, which has become popular in the
later 1990s that introduced anthropological interest in studying
masculinities. The foregrounding of non-hegemonic masculinities happened
at this point of time. In the earlier works structures of culture and
history were the main focus of study whereas in the latter part men as
objects of study made an appearance.
Read Mangesh Kulkarni’s “Reconstructing Indian Masculinities”— http://www.xyonline.net/indianmasc.shtml
• Body and the discourse of gender
It has to be kept in mind that studying men and
masculinity is not exactly the same as studying women and femininity.
Femininity is articulated from the position of the marginalized.
‘Masculinity’ is a normative domain within which, in a specific historic
and social context, bodies are gendered male.
Thus narratives of masculinity take recourse to a hegemonic
definition of masculinity as a standpoint to evaluate gendered
performances. To put it differently, any performance or enunciatory
moment of masculinity implies a dominant form.
As we mentioned earlier, bodies that are termed masculine and
feminine need not confirm to the biological distinction of men and
women. Thus, as Judith Halberstam demonstrates, masculinity can be an
attribute of a human being who is biologically female.
Exercise.
Look at the two sets of pictures given and write about the link
between body and masculinity. Also think through why we would call
someone masculine, in the context of these pictures.
Set 1: The Footballer and the Princess
Set 2: The Sailor
Set 3: The Autodriver
• Masculinity and history of colonialism in India
In his influential essay ‘Nationalist Resolution of the
Women’s Question’ Partha Chatterjee tries to understand how notions of
public and private were structured in 19th century Bengal as a response
to British colonialism. He argues that there was a discursive separation
of the public and the private as constituting respectively the material
and the spiritual/cultural, the world and the home and significantly,
masculine and feminine. This analysis and similar work from other parts
of have helped in understanding the link between masculinities and
publicness, which is an important node for the study of masculinities.
Other historical works that have looked at masculinities include
those of Tanika Sarkar and importantly that of Charu Gupta whose work on
UP in the early years of 20th century presents fascinating material
that helps us understand the link between masculinity and the public
domain.
Colonial constructions of gender were very complex, and any
explanation here will necessarily be only partial and perhaps
simplistic, but there are a few points that need to be made.
You will remember reading in an earlier module how ‘Oriental women’
were exoticised as erotic objects for the gaze and desire of the
coloniser. This interacted with a colonial discourse of masculinity
that posited Indian men as effeminate in relation to the masculine
British male on one hand, and as brutal savages to their women on the
other, so that the coloniser became the heroic saviour of the exotic
damsels in distress.
You will also need to keep in mind notions of gender in the context
of nationalist ideas. Under threat from British imperialism and the
‘threat to Indian culture’ the Indian woman as the guardian of the
private domestic realm was posited as the ultimate repository of the
culture’s values, and became the site of both memory and aspiration with
both traditionalists and reformers. In other words, Indian women
embodied the glorious past and tradition and through reform movements
aimed at them also represented the Indian male’s aspirations to
modernity. Issues such as sati, widow remarriage and women’s education
saw Indian men take opposing positions, with the woman as the site of
contestation, and the figure of the male coloniser looming over both
camps as the rescuer of the Indian woman.
Another important work that presents a richer picture of
masculinities in the colonial period in is that of Mrinalini Sinha who
argues that colonial power was organised around notions of masculinity.
She argues that it was the context of a crisis of masculinity in that
facilitated the performance of a hegemonic masculinity by the
colonizers. It was a time, she argues, of the emancipated woman,
especially with the women's suffragette movement, the discussion around
homosexuality, after the arrest andimprisonment of Oscar Wilde. The
discussion of the feminisation of British boys was strong at a moment
which also saw the emergence of the boy scouts movement and the machismo
of colonial power.
In India, there have been at least two kinds of responses to the
discourse of the masculine Englishman and the effeminate Indian. One was
in the form of the early revivalists who excavated masculine figures
like Shivaji to make an argument that we were always masculine till the
imposition of colonial power.
The other was from the likes of Gandhi, who argued that it was
indeed the feminine qualities in a country like that could respond to
the obscene machismo of the British. In the post independence era,
radically different concerns have structured notions of the ideal
masculinity. This included the production of a masculine ideal connected
with notions of development and other narratives that complicated this
picture
• Exercise
• The production of masculinities
In the various narratives of masculinities that can be identified in the public, it is evident that there is a considerable amount of work that goes into the production of these notions. Thus, a structure of differences and separations need to be put in place to understand how notions of hegemonic and non-hegemonic masculinities are structured. Let us divide this section into two parts 1) Technologies, 2) Caste and class
Part 1: Technologies: There are two registers in which we
can discuss the notion of technologies in relation to a discussion of
masculinities. One is literally in the sense of enhancing the notion of
masculinity through technological inventions as in the case of Robocop
or Terminator. The other aspect is the kind of supernatural add ons that
help bolster the narratives of hegemonic masculinity like in the case
of Hritik Roshan in the film Koi Mil Gaya. Then we have the Superman,
Spiderman narratives. These examples foreground the possibility of a
layer of discourse that produces a body as masculine (and by implication
feminine). In metaphorical terms, masculinity is an add on.
The second aspect is what could be termed the technologies of the
self, where men in day-to-day instances perform their masculinity and
try to produce the self as masculine, as for instance in the attempt to
build a ‘masculine’ body and to dress a certain way.
• Exercise
Discuss the following pictures in the context of the above discussion.
• Class and caste
Let us discuss this with examples. Take a look at the following pictures. Pic 1, Pic 2.
These are pictures of violence from the carnage of Muslims
in Gujarat in 2002. These pictures were circulated in the media at
that time. This picture of violence is coded in gendered terms in the
context of a discourse of masculinity, which narrativizes the conflicts
between Hindu and Muslim communities as one of competing masculinties.
You may also wish to listen to Sadhvi Ritambara of the VHP in Anand
Patwardhan’s documentary film Father, Son and Holy War. It is a
discourse of gender that structures an incident of violence as a
narrative of masculinity. Rearticulated ad nauseum, these incidents of
violence and power get structured as one between competing masculinities
historically.
Let us make this clearer. You have already read how women formed
the site of competing masculinities in colonial times. A similar
formulation also prevails in the context of the communal conflict.
Women are posited as the carriers of the community’s honour and thus
any violation of the women of one community by the men of another
implies the dominance of the latter and posits the men of the former
community as effeminate and unable to protect their women.
This kind of formulation has resulted in the discourse of the
violent, lecherous Muslim male who desires and desecrates the pure,
chaste Hindu woman, and it is from this that Indian men are exhorted to
protect their women and avenge historical wrongs against them.
Tanika Sarkar’s studies have shown how women in right wing
organisations urged their men to violence during communal riots by
challenging their masculinity.
The Muslim woman is seen on one hand as the victim of the Muslim
male and on the other as easily available to the Hindu male. One point
of comment is the unprecedented high proportion of rapes of Muslim women
in the Gujarat violence of 2002, as the Hindu male underlined the
superiority of his masculinity over that of the Muslim male, who was
traditionally assigned the role of virile plunderer of women. In this
way, incidents of violence are structured through a discourse of gender
to construct them as a historical contest between competing
masculinities
• Exercise - I
View the film Pinjar (or 1947- Earth) and discuss how religion and gender are narrativised.
Now let us see how caste is narrativised in masculinity
debates. Here is another still: one that has become emblematic of the
political churnings in in the early 1990s.
This is a still of Rajiv Goswami, a student from Delhi,
self-immolating during the notorious anti-Mandal agitation in 1991. Here
we see a frail non-macho man going up in flames. This photograph can be
understood only in the context of the discussion at the time, which
presented Dalits as over-masculine figures, powerful because of
reservations. There was also the famous banner held by an upper caste
woman that said that they [upper caste women] want employed husbands.
In such a context the self-immolation becomes a moment of heroic
masculinity (remember Sati, which produced heroic femininities in
dominant gender narratives).
Discourses of caste have also provided similar formulations as the
colonial and communal ones outlined above. These have naturally changed
over the years but in the case highlighted above, it is again a moment
of reversal of sorts.
In general, especially in feudal setups, the lower caste/class woman
is seen as available and accessible to the upper caste/class man,
whereas the women of the latter segment are pure, chaste and
inaccessible. The upper caste/class male can and does underline his
superiority by sexually using lower caste/class women.
The moment captured in the photograph is not about a contest on
sexual grounds but on the social grounds of employment, where
reservations are seen as having made the dalit powerful and having
weakened the upper caste male, especially in the eyes of the upper caste
woman.
Where dalits cannot protect their women from sexual abuse, upper
caste men are perceived as no longer able to support and provide for
their women.
It is in this context that this incident can be seen as constructing a moment of heroic masculinity.
• Exercise - II
See this clip from Hindustani and discuss the coming together of caste and masculinities.
1. Watch the films Hum Tum and Gayab and pay attention to
how class and masculinity intersect in the male protagonists of these
films.
2. Look at the articles on the 'metrosexual man' that has appeared
in the last couple of years in leading magazines/newpapers in India. How
does the notion of the metrosexual man relate to other models of
masculinity
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